Showing posts with label beef. Show all posts
Showing posts with label beef. Show all posts

Saturday, October 18, 2025

Cooking up a Birthday Dinner

Annie had yet another birthday to celebrate and because we had just days before gone out to pretty much the only restaurant we like for our anniversary, we decided to stay in and celebrate with a nice meal here at home, just the two of us and Rob and Dyce.

I was motivated to cook. Coming off a busy summer and a three-week trip to Iceland, I really had not cooked a decent meal in months. I am not talking day-to-day cooking which is generally a one-pan meal that takes 15 to 30 minutes to prep. Post-restaurant, a one-pan meal is about all I am inclined to make without some special reason. Ann's birthday provided just such a special reason to put some effort into planning and cooking.

Another Birthday in the Books
Celebrating with Diebolt-Vallois Brut Rosé
The menu was inspired by Ann's recent dental work that left her unable to chew on one side, requiring food that is soft in texture. I do not find restrictions like this a problem. On the contrary, boundaries, such as a vegetarian meal or soft foods as in this case, help me narrow the focus.

Left to my own devices, I could come up with way too many ideas, which is why at the restaurant, trips to the farmers market or walking through our pantry were most helpful in designing a menu for the night. They helped narrow the scope to ingredients that were immediately available. Though many cooks find "Chopped" types of competitions where they must use a specific set of ingredients to be too restrictive, I thrive on it.

For this birthday dinner, I imposed another restriction: the menu should involve as little à la minute, last-minute, cooking as possible so that I could spend time with our guests rather than at the stove. And like an idiot, I got so wrapped up in entertaining that I forgot to take pictures during dinner.

In creating the menu, the restriction to soft-textured foods screamed braised meat to me and what better to accompany braised meat than risotto? A soft dessert would be something like a pudding and do you know a simpler or better-loved pudding-like dish than crème brûlée?

For the starter course, a recent inventory of the pantry left me thinking about a bag of white beans, so a white bean soup would start the meal off. My initial thought was a white bean and rosemary cream with some kind of seafood garnish, something that would pair well with a white wine. And as the recent days were warm, I was thinking a room temperature soup with a cool garnish, a crab salad or something else that Ann could chew easily.

Naturally, a menu is also a reflection of the ingredients that are available at any given time. In this small city in the middle of nowhere, hours from any big city, I must design meals around the products that are available, rather than the products I wish were available. For example, there is no good source of seafood here in the high desert, nor is there acceptable rice for risotto. I order my rice from the internet.

Moreover, in my shopping, I knew I would never find ossobuco or lamb shank to braise; however, Costco sometimes has beef ribs. I got lucky and I bought one of their two packages of beef plate ribs. Plan C would have been to score a chuck roast and shred it into the risotto after braising. In the freezer section at the grocery, I also found serendipitously a package of frozen marrow bones while looking for stock bones.

A bonus, the marrow would finish the risotto with butter and cheese in the mantecare stage, the final stage when fat is stirred into the cooked rice to enrich it. After removing the marrow from the bones, I would contribute the marrow bones to the stock pot. The resulting stock would be the liquid in which I would braise the ribs. And then all the braising liquid would ultimately become a sauce for the ribs and risotto.

This menu naturally divided itself into two day's of work. The first day, I would make the stock, cook the white beans for the soup, and bake the crème brûlée, leaving the oven free the next day to braise the ribs. In addition to braising the ribs, the second day would see me finish the bean soup, design a garnish for the soup, and make the sauce for the beef after the ribs were cooked.

Ann thinks that this is a lot of work, but more than anything, it is a lot of small steps, steps that I scheduled around working in the office and taking walks. I do not look at cooking meals such as this as work.

Cooking Marrow Bones, Chuck, and Veg for Stock
Deglazing the Roasting Pan
To start the stock, I browned the ribs in a roasting pan to start creating a fond, brown bits, on the bottom of the pan. After they cooled, I refrigerated them to braise the next day. To the roasting pan, I added stock vegetables (onion, carrot, and celery), beef chuck, and the marrow bones. It took about 45 minutes in a very hot oven to roast and brown everything on all sides, with one or two turns.

After roasting the marrow bones, I scooped out the marrow and refrigerated it for finishing the risotto. Then all the bones, meat, and vegetables went into a stock pot with a couple of smashed cloves of garlic still skin-on, the peels and trimmings from the stock vegetables, a sprig of rosemary, a couple sprigs of thyme, a bunch of parsley stems, and the outer leaves from a leek.

And I threw in a wee bit of chef magic as well: a tablespoon of estratto di pomodoro (rich Sicilian tomato paste) and some dried porcini powder/bits from the bottom of the canister. Neither will be detectable in the final sauce but will add great umami. Deep flavor does not happen spontaneously; it is a thoughtful process of layering flavors.

When roasting vegetables and bones for stock, the idea is to cook them long enough not only to caramelize them, but to build up a good fond, the glaze of brown bits on the bottom of the roasting pan. After removing the roasted ingredients to the stock pot, I deglazed the roasting pan with water, scraping well to clean the bottom. All that caramelized goodness brings incredible flavor to the stock.

The dark and flavorful deglazing liquid went into the stock pot along with beef stock. Using a stock to make another stock is called a double stock; double stocks have additional depth of flavor over single stocks. In this case, for the first meal after the weather turned cold (snow on the mountains!), I wanted a dish that was deep and rich in flavor, ultra-comforting, and pairable with a Châteauneuf-du-Pape-style red wine. I chose an Italian blend that I find pairs comparably to CdP, a Valpolicella Classico Superiore. Valpolicella does not get a lot of love, but there are some great ones out there.

The stock simmered for most of the day before I strained it, reserved the chuck for another meal, and put the strained stock in the fridge to cool overnight to solidify the fat floating on top.

The next day, to start the braise, I cut some mirepoix (an onion, a large carrot, and stalk of celery) into medium dice. I sweated the vegetables with a stalk of rosemary and a couple of minced cloves of garlic in an enameled cast iron cocotte. Removing the rosemary, I added the gelled stock from which I had removed the congealed layer of fat. Arranging the ribs in the cocotte, I covered it and put it in a slow (275F) oven at noon, planning to serve the ribs around 1900.

Second Day: Adding Defatted Beef Stock to Sautéed Mirepoix
Beef Ribs Seared and Ready to Braise
Braised Ribs, Held Hot for Service
Not knowing how long the ribs would take to cook I checked them every half hour after three hours in the oven. They were perfect, soft and succulent, in four hours. I removed them to a half pan, covered the pan with film, and put it back in the oven to hot hold until dinner. The Keep Warm setting on my oven keeps them about 170F, above the temperature danger zone limit of 140F. The FDA Food Code changed this some years ago to 135, but I am an old school chef who learned 140.

I planned to keep the vegetables in the braising liquid as part of the final sauce, a rustic touch rather than a fine dining touch. Other options would be to strain them out or blend them in. After transferring the braising liquid to a sauce pan, I could see a half-inch or so of grease on top of the would-be sauce, so using a 2-ounce ladle, I carefully defatted the sauce.

Bringing the braising liquid to a simmer, I brought it down to the final volume of sauce that I wanted, carefully skimming any film and fat that rose to the surface. Once at the final volume, I decided that I wanted the sauce thicker. At this point, I could have thickened the sauce by blending in the vegetables, the cuisine minceur technique unabashedly stolen from Michel Guérard, (RIP chef) or using the traditional method, adding bits of beurre manié, equal parts of butter and flour kneaded together. I chose the latter.

On to the soup course which I planned to make with fagioli di Controne which Ann gave to me as a surprise. They are labeled no-soak and so I thought that would be a great time saver in making the soup base. These are a rare heirloom bean reportedly of thin skin and great flavor. I was excited to try them.

Fagioli di Controne, "No-Soak" My Ass
Beans, Sprig of Rosemary, Two Cloves Garlic, Ready to Cook
All I can say is that it is a good thing that I cooked the beans the day before, starting early in the morning. At seven hours in, they were still crunchy. Finally, they softened after eight hours and to get to the super soft stage that I wanted for a cream soup required nine hours and 15 minutes. Never again will I fall for the no soak baloney. That said, they do have thin skins and excellent flavor, but they are no easier to cook than any other dried bean.

The next day, I made the soup base by blending the beans to silky smooth in my big blender which does such an excellent job that I had no need to pass the beans through a chinois to make them silky. For service, I warmed the bean purée with a bit of heavy cream and adjusted the seasoning. Finding it a little flat, I added a couple of drops of Sherry vinegar to perk it up. The vinegar did its job admirably.

Lemon and Rosemary, Ready to Infuse into Cream
Back to the first day, after starting the stock and the beans cooking, I made the crème brûlée, choosing to flavor it with lemon and rosemary. To start, I brought two cups of 40% cream (the good stuff, compared to the garden variety 36%) to the scalding point with the zest of two lemons and a sprig of rosemary. After the cream cooled to the point where I could taste it, I added just enough sugar to barely sweeten it and make the flavorings sing. Adding a pinch of salt, I stirred to dissolve the sugar and the salt in the warm cream, then let the cream cool so that it would not curdle the egg yolks.

I strained the now lukewarm cream into a bowl containing 7 egg yolks (3 for each cup of cream, plus one for good luck, an admittedly rich custard base). After stirring well, I strained the custard yet again into a quart measure to remove any egg strands. In the absence of a sauce funnel which I would have used at the restaurant, a standard lipped measure let me pour the custard into the cups without dribbling all over the rims, a culinary faux pas.

I put the custard cups into a half pan before filling them, then to make a water bath, poured cold water in the half pan to come up to the level of the custard in the cups. Some people advocate using hot water but I think the product has better texture the slower it cooks, so I use cold water to retard the cooking.

Use the Torch to Pop Any Surface Bubbles
Before I bake any kind of custard, I run my torch lightly over the surface of the custard to pop any bubbles that may have formed during stirring or pouring. This is not necessary, but it will create a smooth finish rather than one pock-marked by bubbles that popped during baking. I put the custards into a moderate oven (350F) and checked them periodically. These took 35 minutes, all told.

To tell if the custards are done, grab one with tongs and give it a little shake. When the custards are set around the edges with only a quarter-sized spot in the center that is still loose, they are ready to come out of the oven. Remove from the water bath, dry them, wrap them individually with film, and refrigerate for service.

Moving on to the risotto: I discovered early in my planning that I did not have enough Arborio rice in the pantry for four servings, but too late to order some. Not to worry: Israeli couscous makes a fine fake risotto that people never fail to love. And unlike Arborio that I have to order in, I can buy Israeli couscous in bulk at my grocery. It is a pantry staple at our house.

Making the ersatz risotto milanese with Israeli couscous is identical to making the real thing, but just a little bit quicker, say 14-15 minutes versus 20. Start by sweating an onion and saffron in butter or olive oil, add the couscous and cook for a minute, then add chicken stock by dribbles, and cook until it is done, stirring and topping off the stock as necessary. When done, I stirred in a good bit of grated cheese, butter, and the bone marrow. Ann says she likes this better than with rice.

"Risotto Milanese"
Israeli Couscous with Bone Marrow
I needed to make a garnish for the soup. My original intent, when the weather was warm, was to serve a room temperature cream soup with a seafood salad for garnish. Then, the weather turned cold as it does this time of year, dictating a warm soup and warm garnish, turning my original idea on its head.

Fresh seafood of acceptable quality to a finicky chef is hard to find here and crab season closed in August, eliminating crab as a possibility. That left frozen seafood and I found some small white shrimp that would lend themselves to a salad. I had thought to chop them to help Ann chew them, but they were small enough to serve whole.

My working concept for the shrimp was inspired by the Italian white wine I had selected for the course, Roero Arneis. I would just barely cook them in olive oil, garlic, and a touch of tomato paste that would tint the oil red, to be drizzled on the soup for a contrasting garnish. However, during the course of the day, I kept coming back to the Sherry vinegar that I used to give the soup sufficient acid to perk it up, a Spanish touch and not an Italian one at all.

I hit on a warm salad dressing with Spanish flavors. Moments before serving, I cooked the shrimp in olive oil with a touch of pimentón de la Vera (smoked paprika) to give the oil the red color, then removed it from the pan. In went some shallots to just brown around the edges, then I splashed the pan with more Sherry vinegar to create a warm shallot-pimentón vinaigrette. I dressed the shrimp, so small that I really did not need to chop them as planned, with a bit of vinaigrette and used the remainder to drizzle on the soup for garnish.

Rob and Dyce Brought
André Clouet Un Jour de 1911 Champagne
While I was finishing the soup, we opened the bottle of André Clouet Un Jour de 1911 Champagne that Rob and Dyce brought. Made in a turn of the 20th century style, this wine is interesting, baked apples and yeast on the palate with a hint of oxidation. This is a much different wine than we usually drink and I enjoyed it because it was so different.

Shrimp and White Beans, Warm Shallot-Pimentón Vinaigrette
Served with Paitin Roero Arneis
Short Rib on Israeli Couscous "Risotto Milanese" with
Serego Alighieri Monte Piazzo Valpolicella Classico Superiore
Lemon-Rosemary Crème Brûlée
Happy Birthday to This Girl!

Tuesday, October 1, 2024

Italy Day 8, Verona: Exploring the Centro Storico

Tuesday, October 1

Verona, Verona, Veneto

Highlight: Fabulous lunch with lardo
Lowlight: Gray skies signaling much future rain

At 7:30 a.m., school kids started pouring down the street en masse in front of our apartment. Packs of school kids are never quiet, nor do they take into account that others, perhaps having had a late night, might still be abed. Peeking out of the window onto the street, I couldn't see any sun, only gray.

It's a Gray Day on our Street
This apartment is the first true B&B that we have stayed in; all the others have been Airbnbs. Our host, Marco, who speaks no English, laid out a vast breakfast complete with coffee in the hall outside our bedroom. We're not breakfast eaters, so we only took a small pastry each with our coffee. Sadly, Italians do not appreciate Americans' thirst for coffee, thinking that a tiny pot is going to do the trick. Fortunately, Marco also provided a quasi-espresso machine with which I could make a couple more espressos to help augment the pot of coffee.

After breakfast and eager to see the city in the daylight, I went for a solo walk, reluctantly leaving behind Ann who was not feeling well. Immediately outside, I looked up and it was clear that the sun was not going to make an appearance. It was a gray but dry day, albeit with high humidity, something that I am thoroughly unused to.

Scalone Castel San Pietro
My first thought on being solo is that I would tackle the San Pietro hill behind the apartment for good views of the city. I'm in good climbing shape and hills are not an issue for me. a good thing because the way up involves a significant amount of stairs, called the Scalone Castel San Pietro. Behind the church, there is also a funicular to the top, but I wanted the exercise of walking up the stairs, many of which are a gorgeous pink marble. 

Funicular up San Pietro Hill
At the top, where both the stairs and the funicular arrive, sits the Castel San Pietro, a modern building by Veronese standards dating to the mid-1800s. From the piazza surrounding the castle, I had marvelous views of the river and town just below me. I can only wonder about how splendid the view would have been on a sunny day.

Relatively Modern Castel San Pietro
Looking Towards the Basilica di San Giorgio
Ponte Pietra Just Below in Front of the Duomo and its Campanile
Santuario della Madonna di Lourdes on Hillside Opposite
I Due Torri: Sant'Anastasia (l) and Lamberti (r)
Looking South down the Adige
I spent several minutes walking about up top and then descended a little way down the hill where I could access the Parco Scalone by crossing under the funicular. I set out cross country through the Parco Scalone to intersect a tiny track down the hill, the Via San Carlo. This brought me through a residential neighborhood down to the 5th century Chiesa di Santo Stefano right next to our apartment. I took a moment to peek into the back garden of the church, hidden away through a gate and partially obscured by a large olive tree.

Fragrant Mint Grows Everywhere in Italy
Nepitella in Italian, Lesser Calamint in English, Clinopodium nepeta
Exquisite Double Rose of Sharon
Octagonal Lantern Above Back Garden of
Fifth Century Santo Stefano, Built on Roman Ruins
By noon, Ann was either feeling better or willing herself to leave the apartment, so we walked across the Ponte Pietra wandering randomly headed in direction of the gem of Verona, the Arena. The Arena di Verona is older but smaller than its cousin, the Colosseum in Rome. We thought that we would visit the ancient amphitheater after eating some lunch at the only restaurant that Marco said we must try in town.

Looking North Crossing the Adige on the Ponte Pietra
The Belltower at Sant'Anastasia over Ponte Pietra Neighborhood
Just Outside Sant'Anastasia, Tomba di
Guglielmo da Castelbarco, Major Benefactor
Red, Black, and White Marble Detail at Sant'Anastasia
Wandering Side Streets in Verona
Another Angle on Torre dei Lamberti
Palazzo di Cansignorio
Along the way to the Arena, when we arrived serendipitously at the Piazza delle Erbe, the big produce market, we found it attractive but horribly crowded with big German tour groups. We headed for side streets to find a quiet place for lunch and as if by magic stumbled on the restaurant Marco told us we should try. In fact, I started to check my map for its location when I looked up and saw the sign for Ristorante Greppia. 

Piazza delle Erbe
Houses Bordering the Erbe Market
Frescoed Exterior Wall of the Case Mazzanti
Overlooking the Piazza delle Erbe
While Trying to Find La Greppia on my Map
Looked up to See This Welcome Sign
After going down an alley (vicolo) we turned into a small pedestrian-only cobblestone street with a bunch of tables against the wall of the building opposite the restaurant. The place looked busy and we had to wait for a couple of minutes before the hostess seated us. Although it was a cloudy day, the weather was nearly perfect for sitting outside at a table and having a leisurely lunch.

Seated in the Alley Opposite the Restaurant
Bougainvillea at La Greppia
Alley Where La Greppia Sits
We had a marvelous lunch, starting with a plate of soppressa and lardo with grilled polenta for our antipasto. Soppressata in Toscana is called soppressa in the Veneto. I loved everything about this plate including the mâche and slightly sweet pickled yellow pepper garnishes, the grilled polenta, the soppressa with its beautiful fat, and finally, the lardo.

The lardo was unlike any I have had before and was a revelation. Heretofore, I have always been served thinly sliced cured fatback. This version was more akin to the cunza that we had in Modena. The fatback was ground, mixed with garlic and rosemary, then formed into a roll that was thinly sliced yielding a product that is so much better than butter.

Lunch proper was plates of pasta, both bigoli, one with a duck ragù and one with leeks and speck. Both were really good, but the leek and speck version was head and shoulders better. One of the plates was on the menu and the other was a special of sorts. The guys next to us clued us in that there were two versions and our server, Basilio, asked if we would like one of each. But of course.

Soppressa and Lardo with Grilled Polenta
Another Amaro New to Us
Our waiter Basilio was awesome; our food was great; the wine list was great; and the experience was exactly what we were looking for in Italy. We decided on the spot to explore more of the menu at dinner and so we booked a table with Basilio for the evening. This was a good idea because the restaurant was packed at dinner and they were turning people away left and right, but that's a story for later on.

After lunch, we left the tranquility of a back alley off a back alley and returned to the crowds (though not so busy as Sunday in Bologna) to stroll down to the Arena which sits on Piazza Brà. I cannot stress how impressive this arena is. Built 2000 years ago in the year 30, it was designed to hold about 30,000 spectators. Today it holds 22,000 people; the stage that hosts at least four operas per year takes up the remaining seats.

Arena di Verona
Storefronts on the Piazza Brà
Tourists Swilling Aperol Spritzes
I Portoni della Brà: the Gates of Brà
Atlas Cedar in Front of Palazzo Barbieri

From the Piazza Brà we walked due east to the river and and back north along it to our apartment across the Ponte Pietra, taking in the scenes along the river.

In Window Box, Potato Vine, Solanum laxum
On a Balcony: Lemon, Potato Vine, and Plumbago
Annie in Front of Castel di San Pietro
River Side of Osteria Ponte Pietra Risorante
We Could Have Sat on Middle Balcony Last Night
Back at the apartment, we laid down for a while before getting ready for dinner. When we went out again, it was much calmer in the centro storico than during the day. At La Greppia, they do not seat outside at night and reservations are pretty much required. Unfortunately, the inside of the restaurant is blindingly bright, supremely loud, and frantically busy; it was not the calm, laid-back spot we were for lunch.

When we arrived on the very early side of dinner for our reservation at 7:30, it was already quite busy. It would reach a crescendo at 9:15 to 9:30, the prime dinner hour. We weren’t seated for two minutes before Basilio came by the table with a bottle of Prosecco and poured us each a glass as a welcome while we looked at the menu and wine list.

Rather than choosing ourselves, we asked Basilio to pick a favorite local wine for us; he chose a Valpolicella Ripasso Classico Superiore. In the typical ripasso technique, the grapes are added to the leftover pomace from making Amarone and the two are co-fermented. Add Valpolicella to the list of light red wines that we like: Pinot Noir, Sangiovese, Tempranillo, and Nebbiolo. Unlike this list, Valpolicella is a wine name, not a grape. The three principal grapes are Corvina, Rondinella, and Corvinone. 

Culatello di Zibello
We started with culatello di Zibello, a rare 24-month-old ham from Parma. The leg is deboned and reformed before curing. It was a beautiful ham.

For dinner, we skipped primi which we had at lunch and went straight to secondi. We had beef cheeks (guance di manzo) served with celery root purée, which Basilio told us is called sedano di Verona or sedano rapa (“turnip celery”). We also had roasted octopus which was not as good as at Ponte Pietra the night before. 

Beef Cheeks with Celery Root Purée
Good Although Not Much Effort Spent on Plating
Roasted Octopus
After dinner, Ann and I took a leisurely walk back to the apartment, marveling at how beautiful Verona is in the dark and how much calmer, after the tourists have gone for the day. We had a few raindrops here and there, a hint of what tomorrow would bring.
 
Scaliger Tombs at Night
Another View of the Tombs
Lamberti Tower Uplit
Statue of Dante, Piazza dei Signori
Random Streetside Dining
Passageway Neatly Lit in the Dark

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